Winehouse's injunction carries legal weight in England and Wales but does not cover her in the Caribbean. She is hoping to record her third album in a specially kitted-out studio and also has plans to perform at the forthcoming St Lucia jazz festival, the publicist said. Winehouse is still on the Caribbean island and is expected to stay there "for the foreseeable future", according to her publicist. While she was on an extended break in St Lucia £15,000 in possessions, including guitars, recording equipment and a flat-screen television were reportedly stolen. Her marriage to Blake Fielder-Civil – recently freed from prison after being sentenced to 27 months last July for assaulting a pub landlord and attempting to pervert the course of justice – appears destined for the divorce courts.Īnother source close to the singer added that a burglary in January at Winehouse's old Camden home was attributed to the fact that thieves were able to ascertain when she was away from home because of the absence of the pack of photographers outside. She has had many troubles in recent years, with an arrest last year for alleged drug offences, spells in drug rehab and admissions of self-harm. There has been a storm of press coverage over the last few years and almost daily paparazzi pictures of the singer, who is famous for her alleged drug use as much as for her music success, which has seen her amass £10m with 6m album sales. The source added that the injunction, which was initiated by the singer herself and not her publicity team, would also help Winehouse find a quieter life. "We don't have the problem with the press doing their job but it has been mayhem a couple of times and Amy had to do something." "Every time she got in her car she was chased or was jostled, and it has become unsafe not just for her, but the people around her," the source said. The injunction reflects a growing vogue for celebrities to target paparazzi themselves rather than the newspapers that purchase their photographs.Ī source close to Winehouse's management team said that the injunction was sought because press attention had made her life "unsafe". This means that any photographers could face prosecution if they follow Winehouse by any means or approach her within 100 metres of her new home, which is near where she lived as a child.Īll photographers are also forbidden from taking pictures of her in her home or the home of any members of her family or friends according to the order, which cites the Protection from Harassment Act 1997. Below, she helped us cull some of the decade’s most memorable paparazzi snaps - ones worthy of a museum.The order bans leading paparazzi agency Big Pictures from following Winehouse but also refers to any "persons unknown" seeking to photograph the musician outside her home and in other public places if they have pursued her. (You might also know her work under the handle Ryan says she admires paparazzi images for their ability to “capture the beauty and humor of the everyday.” Think of Jake Gyllenhaal scratching his back with a fork, or Kim Kardashian with a really bad sunburn. One of my favorite Instagrams to come out of the past decade is an account run by photographer Hannah La Follette Ryan. They aren’t trying to sell us anything when they get dressed for Pilates or work, but their personal style has had just as much, if not more influence than that of actual influencers for its organic strangeness. This decade also produced the enigmatic anti-Instagram star: Shia LaBeouf, Kristen Stewart, the Olsen sisters. Even Taylor Swift walking backward down a hill to avoid paparazzi is arguably more revealing than a personal Instagram. Sometimes, if all of the elements are right, they can feel stunning in their humanity - like works of art. Where does this leave us? In a twisted way, the paparazzi image now reads as somehow more real than the ones we see on Instagram. Regular people became the subject of their own, self-generated tabloid photos over the last ten years, while celebrities aimed to seem more “regular.” At the same time, as Amanda Hess points out in an essay for the New York Times, “ When Instagram Killed the Tabloid Star,” social media scrambled our understanding of who was on display. They took what we loved most about paparazzi photos - the too-much information, the shock value, the mundanity - and made it their business. The Kardashians, of course, are masters of this. Images of celebrities living their daily lives once felt scarce, but now they’re generated every minute of every day by the subjects themselves and carefully staged to their liking. After Instagram was born in 2010, the celebrity paparazzi photo lost much of its power.
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